Touch down

Painting Reality

http://youtu.be/tXCnWUzUw_E

“Painting Reality” is a public art project in which unsuspecting drivers unwittingly painted Berlin’s Rosenthaler Platz intersection a strobe-like composition of blue, yellow, purple and red.

In an act of guerilla art, the artists IEPE & the anonymous crew poured vats of water-based environmentally-friendly paint at each corner of the intersection, while traffic was temporarily halted. As the lights turned green, some 2000 cars, including bicyclists, spread the 500-liters of paint in every direction. The vehicles soon spun a mesh of aleatoric lines, varying in thickness and color. Some lines are thin and retain their original hues, while others bleed into each other in wide bands of sickly palate.

by Samuel Medina

posted in Archifilms

Take your hat off

AKIO HIRATA’S EXHIBITION OF HATS

http://www.fashionmodeldirectory.com/designers/akio-hirata/
http://www.nendo.jp/en/works/detail.php?y=2011




Nendo‘s latest project is Akio Hirata’s Exhibition of Hats.

An installation of about 4,000 mass-produced non-woven fabric hats seem to become the walls and ceiling in no specific pattern, enabling the viewer to wander through the space in any way they like.



















The exhibit runs through this tomorrow at Spiral Garden in Tokyo.
Photos by Daici Ano.


Read more at Design Milk: http://design-milk.com/akio-hirata%e2%80%99s-exhibition-of-hats/#ixzz1REiYOnSJ

HIRATA NO BOSHI

Spiral Garden
2011.06.15 - 07.03

The graphic and exhibition design for the first major Japanese retrospective of internationally-known milliner Hirata Akio’s seventy years of work. For the exhibition space, we wanted to make Hirata’s hats stand out. The mass-produced non-woven fabric hats we created for the space are the antithesis of Hirata’s carefully handmade hats, and bring them into sharp relief through dramatic contrast. Hirata oversaw the shape of these hats, which float and stream through the exhibition like ghosts or shells of the real hats exhibited. Some are exhibition stands; others become walls, ceilings and diffusers to scatter 
light through the space. Flooded with roughly 4000 of these ‘ghost hats’ as though shrouded in a cloud, the exhibition space softly invites visitors inside. There, they find not clear-cut paths to follow but an environment in which they can wander and discover Hirata’s creations as they like, as a way of physically experiencing the creative freedom that underlies Hirata’s work.